Tag archive for ‘sarkar’
My Reactions to Reactions
1.What are your views on getting married?
Ans: It is as bad and as avoidable as doing business in partnership.
2. Are you a judgmental person?
Ans: I hate Judges.
3. I would call your blog “Confessions of a dangerous mind”. What say?
Ans: I would call it “Confessions of truthful mind”. But then truth is dangerous to people who [...]
Tagged as blog, company, god, mind, rangeela, sarkar, satya, Shiva, vodka + Categorized as My Take, Reactions
Lock-up Lessons
Many people do not know that back in Siddhartha Engg. College in Vijayawada I used to be kind of involved in lots of gang fights which were quite common in colleges during those days. I think primarily gang fights in colleges exist because of lack of interest in studies and wanting to seek excitement and [...]
Tagged as Aakhri Raasta, college, Gang, Police, sarkar, Shiva, station, Vijayawada + Categorized as Film, My Life
The Psychological aspect of BackGround Music
I was always fascinated with Background Music. I saw the film “ALIEN” 17 times in Vijayawada, Urvashi theatre, out of which at least 3 of the shows I just shut my eyes so that the visual won’t disturb my concentration on the music. I used to take in a tape-recorder in a bag to record [...]
Tagged as Aamir Khan, Alien, Background Music, Chandu, company, Enter the Dragon, ilayaraja, Jackie Shroff, mallik, Psychological, rangeela, Rashid, sarkar, Shiva, Soundtrack, The Psychological aspect of Background Music, Urmila Matondkar, Urvashi Theater, Vijayawada + Categorized as Entertainment, Film
My Reactions to Reactions
I am fundamentally against blotting out any comments as I do not mind any amount of criticism, ridicule, etc. But some of the comments here lately have become so bland, inane, boring and irritating that I am loosing interest in going through all of them so as to reach a few interesting ones. So I [...]
Tagged as Agyaat, Camera, Dwarak Warrier, gandhism, my reactions to reactions, sarkar + Categorized as My Take, Reactions
The CAMERA as a PEN
The language of a camera primarily is broken in compositions and movements which largely dependent on the placement of actors.
Tagged as Agyaat, Ajay Devgan, Camera, Chandu, company, mallik, Mohanlal, Pandit, Pen, sarkar, Sreenivasan, Vivek Oberoi + Categorized as Film