RGV Blog

Ram Gopal Varma’s Blogsite & Lifestream

Blood Learning

From the time I started researching the story of Paritala Ravi, to now editing the film, I am discovering so many things within me and also learning so many facets about my own perceptions of various things and this is happening mainly because of my ongoing continuous understanding of the characters of Rakta Charitra as I travel emotionally along with them in the course of filming it.

To truly understand a character actually means that you should have lived the life of that person in one way or the other and the fact that the particular person lived such an extreme life means that you also will get such extreme understanding. Satyendra once told me that if you truly seriously read a book, just in a few hours you can get all the knowledge of that author what it probably took that author a lifetime to gather and understand to put it in a certain perspective.

Rakta Charitra is not really about a realistic portrayal of the faction violence of Anantpur. It’s more about a realistic understanding of the extremely turbulent emotional mindsets of certain individuals trapped in certain situations.

When some people asked me how the Rakta Charitra story which happened in Andhra Pradesh could be identifiable to a Hindi audience as they would not be knowing of Ravi or Anantpur, my answer was that a film works on identification with emotions and never on an identification with a background. For example when I read or saw Godfather I had never heard of even the word Mafia or Italian families before that, but I simply connected to the character conflicts in the story.

So a Godfather story can happen anywhere whether it is New York or Mumbai or a village in Tamil Nadu. So likewise I am creating a world in Rakta Charitra based, inspired and interpreted from those true life characters and those true life incidents.

So for me to try and understand and interpret the characters of Ravi, Suri, Obul Reddy, Moddusreenu to name just a few of the plethora of characters from Rakta Charitra and then as an exercise to see the same story from the point of view of each of those characters so as to arrive at a reasonably close realization of what could be the truth and also to arrive at the actual reasons behind some of those unbelievably terrible decisions they took was the greatest and the most enriching process that I have gone through in the process of researching Rakta Charitra. But now that those thought processes turned into flesh and blood, and I can see the characters and hear them on film puts in a new meaning to my own understanding because they now from a perception have become a reality albeit only on film.

When people ask me how real Rakta Charitra is going to be, I said ‘It will be as real as what I think is real”. This I say because it’s impossible for anyone to be factually and absolutely correct in the context of such a story for the simple reason that I was not present there when those terrible incidents were planned and made to happen but the fact that I was privy to all the various versions of the participants, the eye witnesses and also the accounts of investigative officers by playing half a detective and half a journalist to get to the core of the truth, I would say that what I am filming is the truth or atleast truth as perceived by me.

But the irony is that the truth as I perceived it is seeming truthful even to the people who were directly involved in the actual happenings. That’s because each of those individuals were only privy to their own individual reading of the incidents and motivations whereas I tried to show them what actually happened mixed with even their opponents motivations.

When I showed some finished scenes of Rakta Charitra to a certain involved individual whose name I cannot take for obvious reasons, he had tears in his eyes as he understood the compulsions of his opposing individuals behind a certain act that happened a long time ago which he would not otherwise ever have bothered to think about at the time period it happened.

When Obul Reddy was hacked to death in Maheshwari Towers in Hyderabad by a group of men who came clad in burkhas I remember it sending shockwaves of fear throughout the city.

As an incident it is chilling to hear but the moment, in the course of my research, I got into the mindset of Obul Reddy and into the mindset of the man who planned it and also into the mindset of the man who actually physically hacked him, the incident now to me is from a completely different perspective because now I am watching a culmination of 3 individuals thought and emotional processes and because of that a truly unique understanding happened to me which resulted in me having lived and learned from and also about such unimaginably extreme people.

At the end of the day every one of us at any given point of any moment in our lives are the sum result of what we read, who we meet and what we experience because all three would amount to new inputs in us thereby adding to our overall understanding of life, so it follows that our learning, our intelligence and our analytical power depends completely upon what situations we will dare to put ourselves into and on, what kind of people we will take efforts to meet and interact with.

The story of Rakta Charitra the way it happened, the way I understood its various people as in how they themselves understood it and then the way I myself understood it and analyzed it surely made me learn a hell of a lot about the blood life and the blood people in general and about some very very extreme blood people in particular. And I call this my BLOOD LEARNING.



Tagged as , , , , , , , , , , , , + Categorized as Entertainment, Film

610 Responses to “Blood Learning”

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  1. 610
    Cinephilia Says:

    I am alive guys. Couldnt access Internet owing to some personal reasons. Feel sorry for myself to have missed most of the drama.
    @RGV
    I am overwhelmed with joy. Thank You.

  2. 609
    Rajesh435 Says:

    You say that you don’t believe god then why did u pose a question in phoonk comparing GOD with crocin?

  3. 608
    raghav_rao Says:

    RGV-the opening scenes of ‘Mast” and “Naach”…how were they concieved?…very few of ur movies open with a song…those were probably the only 2..

    on a separate note..is being “normal” just being a part of a majority?

  4. 607
    raghav_rao Says:

    RGV-you could be the most violent / peaceful person if u wanted…because u attempt to understand the core of a particular reason than the emotion itself.For ex: only you could direct/concieve the scene in sarkar where Ravi Kale tell the goon.. like a doctor instructing a patient “sar pe mat maar…jaldi mar jayega..pair tod…..” truly ur characters are fascinating..

  5. 606
    Bat Says:

    Hi,

    I am having lot of expectations in Surya(Suri) first pics……….and how he looks…………..pls dont make down……..As per my expectations the climax is going to be the same as in company(Dawood’s end)….I knew soori from mid 90′s.. on wards but u said in a interview that u started the movie as a hyd knew i.e people came to knew suri from 1997 blast….. but thats not truth…many knew him from 1990…. u knew from 97 bomb blast…u taking movie as u knew..that means little deviation from original story….did u ever meet suri after he released….what about songs?….One thing I knew is the movie is tough movie to make….and more tough to make it a super-hit its going to be an avg movie/………….I am sure about that….avg because of you as u r good marketer.. u market the movie…………any bets ……..only surya can make u into profits…………I guess.. better to get best music for surya songs….as he can rock…………first part obul reddy might be interesting……..but many people dont know him………first part is going to be weak than second part.as moddu seenu enters in second part…………….I am waiting for second part than first.. lets see..Good luck for U as per business purpose

  6. 605
    HARIKISHAN Says:

    Mr Varma has the habit of hyping his movies before their release to such an extent that you invariably feel let down after watching those movies. Post release, this guy himself would run down his movies. Thinks he is a smart ass. But I fell he is being a typical Indian Sales Man who would go to any extent to sell his product. Once sold, post sale service is none of his concern.

  7. 604
    venkymanu Says:

    i think Ar rahman does more justice to Rakta Charithra in terms of music..deep emotions and strong charachters.

  8. 603
    optimiser Says:

    Ramu,
    In my view more complex the movie , more confused the director is what do you say?

  9. 602
    krsr83 Says:

    WHY DO U PREFER UR SELF PRESENTED AS A MAD OR CRAZY WHICH U KNOW U R NOT

    I FELT BAD THAT RANN MOVIE DID NOT HAUNT ME FOR AT LEAST NEXT ONE HOUR OR WANTED TO HAVE A DISCUSSION.

    IF ANYBODY QUESTIONS ME OR MAKE STATEMENT ABOUT ME EITHER GOOD OR BAD MY CONSCIENCE ANSWER IS “SO WHAT”

    DID U MISS WORKING WITH ACTORS LIKE RAO GOPAL RAO.

    NO HUMAN AS A VALUE , IT IS ONLY FOR HIS ACHIEVEMENTS. SO I FEEL NO QUESTION OF GOOD OR BAD.

    I FEEL U DON’T LIKE UR ARRANGEMENT OF TEETH.

    I SPENT ONE HOUR POSTING THIS .OTHER WISE I WOULD HAVE BORED. THANX FOR THE BLOG.

  10. 601
    krsr83 Says:

    I thought u r brave enough to answer my last questions.>?

    Even i too don’t like rules and love to break them , but i am not financially sound or tolerable to make such statements or act like that in what ever small world i live.

    I felt Gummadi acted well compared with man in god father part 1 scene 1.
    U always have the choice of good or bad. but it becomes good or bad only when u choose one.

    Sex+vodka = rgv , married sex + vodka = climax display of agnaath.

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